Review: THE WESTING GAME by Ellen Raskin

 

The Westing Game by Ellen Raskin
My rating: 5 of 5 stars

A bizarre chain of events begins when sixteen unlikely people gather for the reading of Samuel W. Westing's will. And though no one knows why the eccentric, game-loving millionaire has chosen a virtual stranger--and a possible murderer--to inherit his vast fortune, on things for sure: Sam Westing may be dead...but that won't stop him from playing one last game!

I could not stop reading this book! THE WESTING GAME by Ellen Raskin is a phenomenal mystery, and I’m actually in awe of how good it is. As I was reading it, I kept forgetting it’s a novel as it seemed more like a puzzle, and the writing style is just amazing.

It’s one of the children’s titles for my postgrad creative writing course, but it reminded me so much of Virginia Woolf’s style. I actually googled the book to see if it’s taught to children at schools (or just used for degree level courses) because of this almost stream-of-consciousness style and complexity, with so many beautiful nuanced layers. It’s recommended for ages 10 and upward, and I have since learnt it's taught widely in US schools, but as a UK reader, I hadn't heard of this book at all--and here it often seems only to be taught to adults as an example of how children’s stories should be as complex as adult stories, as obviously you shouldn’t “write down” to children. It will give great satisfaction to adult readers who may be reading it aloud to children, as they’ll understand the more complex themes in it that younger children may not. Though I think children 10 and older would grasp the deeper meanings in this book, and YA readers certainly will.

The story follows 16 people (a mixture of children, teenagers, and adults) as they listen to the reading of Sam Westing’s will and discover that one of them is a murderer. All 16 are then thrown into the Westing Game where each must solve clues pertaining to the identity of the murderer. At times, these clues are almost set out like an instruction manual for a game, so we, as the readers, are also playing along. It’s this interactive quality that I’m finding so addictive.

It took me a little while to get into this book, mainly because there are just so many main characters, and we're not told a whole lot about these to start with. But we're thrown right into the mystery, and it's like we're trying to solve the mystery at the same time as learn about the characters--which does work really well as we're trying to work out who the murderer is.

And working out who the murderer is was just something I couldn't do--which rarely happens. But I really had no idea. And for that, I loved this book. It's just so powerful and it was refreshing to read such a complex and wonderfully plotted mystery that kept me on my toes as a reader. I was really making sure to read every single word on each page in case I missed a clue. 

Also, the narrative devices in this book are great. We've got multimedia in this as we get recounts of Sam Westing's will and other documents. And all of these are clues for the mystery too! 

The ending of the book was...strange. I don't know, it's hard to describe it without getting into spoiler territory. Because there are big twists, and though these were satisfying, I was kind of waiting for something more to happen as I was reading...but then by the time I got to the very last page, I realised that the ending was perfect as it was. If there had been another twist it probably would've detracted from the quietly powerful ending--where the true impact of it only hits you after you've stopped reading and you've got time to think.

And those final pages, where time suddenly speeds up and we learn what happens to the children as they grow up and the deaths of the older characters who were adults in the story is really heartbreaking. It's really powerful writing.

Turtle was by far my favourite character, swiftly followed by Angela. These two characters (sisters) really complimented each other, and I loved how many layers they each had, especially the darkness in Angela as (spoiler) she turns out to be the bomber. I also loved Sydelle and Otis (calling Otis the '65 year old delivery boy' was fantastic, by the way!). The other characters (with the exception of Grace, the mother of Angela and Turtle), although still strong with characterisation, didn't quite have the same impact on me as these characters. I think it's because there are just so many main characters in this book. It was a bit overwhelming. For a long time, I didn't even realise that Crow would be a significant character either. So that threw me a little.

Disability representation is also amazing, with the character of Chris who's a wheelchair user--and I loved how this book has other characters making assumptions about Chris and being stereotypical, but that these characters are then either called out, or the narrative voice becomes really snarky as it tackles the misconception. This is honestly one of the best books I've read for disability representation. (And equally, it's not just disability that the book calls out about this; there's also a lot on feminism and the role of women, with characters fighting stereotypes and 'traditional' views.)

The writing style of THE WESTING GAME is fun and snarky, and I can see why it would appeal a lot to children and teenagers. It's just so plucky and fun to read, and the narrative voice of the book is really great. There is a lot of head-hopping in the stream-of-consciousness style as we're bounced from one character to another, but uniting all these characters is this snarky voice--which is both snarky and judgmental on the current POV character and about others in general. And because the head-hopping is constant, and the whole thing is written in this style, very similar to Woolf's, this is one of the rare instances where I do feel that the head-hopping works.

This is a masterful piece of writing. Highly recommended.

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